Meet illustrator/author Tim Davis

I’m excited to welcome illustrator and some-time author, Tim Davis. I met Tim at the Highlights Foundation Writer’s Conference in Chautauqua, New York, this past summer. Tim is an affable person, and always has a smile ready.

Q: Although you’re primarily an illustrator, you also have writing credits. When did you start writing?

Tim: I was working as a staff illustrator for Bob Jones University Press when the other illustrators elected me to talk to the BJU staff writers about the problem of not enough action in their stories. I talked to Becky, who was a good friend at the time, and told her, “We’re having trouble with the stories you’re giving us. We need more action so that we can make better illustrations.” In a bit of a huff, she replied, “If you think can do better, then do it yourself.” Well, I’m always up for a challenge, so I wrote my first story, “The Great Electric Eel”. It was published in the 3rd grade reading curriculum and I also got to illustrate it. Becky was so impressed that she had me over for spaghetti dinner (like the character in my story) and eventually married me.

Q: Tell us more about your publishing history.

Tim: I had several more stories published with BJU Press, maybe 10. But I was best known for my “Mort and the Sour Scheme” story. I got lots of letters from kids and a taste of “fame”.
One day at work, as I was laying out an early chapter book by someone else, I saw how the author had written it, the structure used, and I thought that I could do it too. Subsequently, while hosting at a conference that lasted a week, and I had a lot of free time sitting at a desk. So, while I was there, I wrote the first draft of Mice of the Herring Bone. I submitted it to BJU Press, but it was rejected.
Five years later, BJU Press wrote back to me and said they now wanted the story. Soon it became their #1 title. I was freelancing as an illustrator and living in Indiana when this happened. My pastor’s wife was a teacher and wanted me to present it to all of the 2nd grade classes at her school. They liked it and kept talking about what happens next. Should there be a sequel? I wrote the second book, Mice of the Nine Lives, and dedicated it to those kids. I just kept writing the series about Charles and Oliver. The last two books are actually one story. When I wrote it, I forgot to double space and had to split the manuscript in half, and it became Mice of the Westing Wind, Book 1, and Mice of the Westing Wind, Book 2. Later BJU Press asked me to work on a video of Mice of the Herring Bone. That came out in 2007.
I also have two other books, Tales from Dust River Gulch and More Tales from Dust River Gulch. In July 2007, the Electric City Playhouse in Anderson performed an adaptation of these two books. It was a little surreal seeing my work on stage.

Q: Tim, how did you end up working with the Highlights folks?

Tim: While I was living in Indiana, I submitted some art samples to Highlights. Jody Taylor, an art director there, called and said that Highlights really needed more Hidden Pictures illustrations. Hidden Pictures have been a feature in Highlights since its first issue, and children have to find pictures of objects hidden within the illustration. My first one was a complete failure. Jody coached me through the next one. I’ve done 350 Hidden Pictures since then. So that puts me in the top 10 of all Hidden Picture artists of all time. It’s nice to be in the top ten in something. Through my work with Hidden Pictures, I got invited to the annual Illustrators’ Party that Highlights hosts each October in Honesdale, PA, their editorial headquarters. The first one I attended was in 1996.

Q: Tell us about the award-winning article you had published in Highlights.

Tim: Highlights had become a regular client for me. I’d done a Hidden Picture about the North Pole which had penguins and polar bears in the same picture. Jody Taylor called me and told me my error: Penguins are at the South Pole and polar bears are at the North Pole. Because of that error, I did more research and that led me to write the article, “Poles Apart,” about the differences between the North and South Poles. That article was named Article of the Month for May 2005 and I received a pewter platter award.

Q: So, do you prefer illustrating over writing, or writing over illustrating? Why?

Tim: Generally illustrating, because that’s usually an assignment, and I can expect to paid for it! I’ve always considered myself more illustrator than writer. The main appeal to me in writing is to create a story from scratch. It’s more of a starting point than illustration is.

Q: I understand that most of the time, publishers have their own illustrators that they use. How did you come to publish and illustrate your own books?

Tim: I was already an illustrator for my publisher, so I didn’t have to break that barrier. It was just getting them to think of me as a writer. But after publishing several short stories with them, I think they knew I was serious about writing.

Q: I see that you do a lot of public speaking and school visits. How do you fit these into your busy schedule, and what are the rewards for you personally?

Tim: I just returned from five weeks as an artist-in-residence at Webb school in Knoxville, TN—primarily a teaching position. Then I opened up a children’s illustration exhibit at our gallery last night. Whew! Now I’m playing catch-up with the freelance work I’ve got. We just have to make the time to do things that are worthwhile. Being connected with children is not only inspiring, but keeps me in tune with how my audience thinks—what they enjoy.

Q: What two pieces of advice would you give to an illustrator trying to break into the market?

Tim: It’s important to draw with confidence, and that only comes with lots of practice—that’s first and foremost. Then try to develop a style that is yours, so that even when you diverge from it a bit—people still know who it’s your work. That can take some time.

Thanks, Tim, for being a guest on my blog today. Tim’s works can be ordered: through him (as his own distributer) or from BJU Press, Greenville, SC and he can be found at these websites: www.timdaviscreations.com, and www.anauthorworld.com

Indian author and illustrator, Jey Manokaran

I’m pleased to be hosting Jey today on my blog. Jey is an author and illustrator from India that I met at a Highlights Foundation writer’s conference. She has eight picture books published by Scholastic and has illustrated three books for U.S.-based writers, as well as 3 articles to be published by Highlights. She has won a UNESCO award for illustrating.

Although she has written fiction, she prefers to write non-fiction based on Indian culture.

Jey writes fun stories for kids, draws portraits of tribals, climbs hills, and loves to be outdoors with friends and animals. She believes her sense of humor to be a great asset in connecting with kids.

Katie: Welcome, Jey, to my blog today. Please tell us about your easy reader book, “Wake up Lazybones!” How did you get the idea to write for the 4-6 year old age group?

Jey: I wanted to use the Warli folk art style for illustrating it, and my idea to place the book in a village setting took off from there. There needed to be plenty of action for this kind of style and some humor too. I love animals, and a big fat lazy buffalo pitted against a scrawny, noisy cock seemed ideal.

Katie: Do you write mostly stories based on folk tales? If so, why.

Jey: Oh no. This has nothing to do with folk tales. Its a totally original story. Its the illustrations which are folk art.

Katie: Have you “always” been a writer and illustrator?

Jey: No. I began as an illustrator, but have always enjoyed both. I have a degree in art and one in English Literature as well. This prepared me to be creative in both fields.

Katie: How have you been able to balance writing with illustrating?

Jey: Sometimes is awfully tough. In the market, some editors prefer to see you as either or. You do the writing and pass it on.. or you illustrate it, and that's it.

Katie: In a publishing world where the publisher usually chooses the illustrator, how did you become your own illustator?

Jey: I did have to market myself quite strongly...since I have a UNESCO award for illustrating, that talent was easier to sell in the beginning. Once I showed them I was capable of both, I did pull in a few more orders.

Katie: What special hurdles did you have to jump being an Indian author?

Jey: I found that the best way to get published with Highlights or to be taken seriouly by an American publisher is to be true to myself. I am an Indian and that's what I write about - India. If I can give my ideas a fresh slant, editors will take a closer look at it.

Katie: When you finished some of your books, how did you manage to get Scholatistic interested?

Jey: The top management at Scholastic was previously the Head of the National Book Trust which had also published some of my books that seem to be popular. And how did I get through to National Book Trust? - that too was an uphill task which took plenty of perseverence.

Katie: What is the hardest part of melding story with illustration?

Jey: I have clear pictures in my head when I write. The tough part is to say less and allow the pictures to do more of the talking. The wordcount for picturebooks has to be so low.

Katie: You say you have a passion for creating learning materials. How does this translate into your books?

Jey: I love environmental topics and for Scholastic I had a sidebar of information given in the end to support the story.

Katie: What advice would you give to an author who also wants to illustrate their own works?

Jey: Take lessons in illustrating, attend relevant workshops and be totally professional in both writing and illustrating. Its tough work - a book takes double the time to complete when you're doing both writing and illustrating, so you do need patience too. If you're not good enough to compete with the best in the market, you can learn photography instead. I do both, and it certainly helps.

Katie: Thanks for being my guest today, Jey. Jey’s works can be ordered through www.scholasticindia.com.